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The following is adapted from a research report by Wilmington historian Diane Cobb Cashman. Ms. Cashman was deeply immersed in the life of the Bellamy family and “the mansion that bears their name,” as she wrote in her, “History of the Bellamy Mansion,” presented to Bellamy Mansion, Inc. in 1989. Her local work rested on Bellamy family letters, family stories, diaries and, in this instance, on biographical works about President Woodrow Wilson.
Much is written about Wilson’s political career, but his younger years included living for several years in Wilmington, NC, where his father, Dr. Joseph Ruggles Wilson, was installed as pastor of the city’s First Presbyterian Church. His experience may well have helped to shape the future president’s personality, views, and character.
Pastor Joseph Wilson joined First Presbyterian on November 1, 1874, when his son Thomas was 18. At the time, the prestigious church had about 300 members and among the most prominent were Mrs. Eliza Bellamy, wife of Dr. John Dillard Bellamy, and her family. When the Wilsons moved to Wilmington they were a source of interest and curiosity. Dr. Wilson, reputedly a brilliant preacher, was described as a “man’s man,” who was usually wreathed in smoke from his old fashioned long stemmed clay pipe and who was known to indulge in a toddy from time to time. In 1861 he had been one of the founders of the Southern Presbyterian Church of the United States as the Civil War caused a schism in that denomination. He had also been a minister in Augusta, Georgia and a professor in the Columbia Theological Seminary in South Carolina before moving to Wilmington.
It didn’t take long for the bespectacled, dreamy, and introspective young college student to learn that in Wilmington there were very few people of his age who shared his interests or had the benefit of a college education. When John D. Bellamy, Jr., an 1873 Davidson College graduate, returned to Wilmington from the University of Virginia where he was by then studying law, he met Tom Wilson. The two had not overlapped at Davidson but were now in the same Sunday School class at the First Presbyterian Church. Dr. Wilson encouraged his son to associate with the 20 year old Bellamy and he may have even suggested that the law student might prove to be a person who could tutor him. John Bellamy Jr's life was to be an eventful one. He would be a leader of the 1898 white supremacist coup and massacre, a US Congressman, a delegate to the 1924 Washington disarmament conference, a political backer of North Carolina A&T University, and deeply engaged in the civic leadership of Wilmington. In 1875, according to one biographer, “He [Woodrow Wilson] spent a year at home studying Greek, and living a rather sedentary though not secluded life. He found the circle limited in which he could move with satisfaction. The South was sending few boys to college in those days of the seventies. Their fathers had perished in the war and many of their elder brothers. Much of their property was gone and young men in their teens were needed at home. Tommy fell in with young John Bellamy … And such a friendship sprang up between the two as inevitably arises when boys of like tastes have leisure to devote themselves to each other. It was their habit to take books and go out in the pine woods and read — sometimes aloud to each other, sometimes sprawling on their backs, flipping the pages, chasing the story. So they read through half a dozen of Sir Walter Scott’s novels. They called their excursions ‘reading raids,’ which were really high old intellectual times, and in them the boys went through ‘The Bride of Lammermoor,’ ‘Old Morality,’ ‘Quentin Durwood,’ ‘The Pirate,’ and a few other of Scott’s stories. Wilson’s official biographer, Ray Stannard Baker, elaborated on the reading outings: “The one friend was John D. Bellamy, a little older than young Wilson, one of the few men in town who had any intellectual interests. Mr. Bellamy recalls vividly reading along Scott’s ‘The Pirate’ with young Wilson. They would walk over to what then was called in those days Delgado Mills, which had been a camp for Confederate troops during the war. There were fine trees about, and the young men would lie on mounds which had been formerly covered by ammunition magazines and take turns in reading aloud. “Mr. Bellamy says that Wilson was never content with the mere reading of a story. He wanted to discuss it at great length. He wanted to compare characters and make up his mind which he liked best ... Bellamy also remembers the eagerness with which young Wilson discussed various famous men. He admired Cromwell and Gladstone, Stonewall Jackson and Robert E. Lee, and questioned why it was that they were great.”
David Bryant, a Black butler who served the Wilson family while they were in Wilmington, also recalled the close relationship of Bellamy and Wilson: “When I wanted to find Mr. Tommy…I would go to his room, and generally he would be sitting with his elbows on his knees and his nose in a book. He just had two friends in those days — John Bellamy and the old Doctor. If he wasn’t reading a book with one, he was talking about the book with another.” The two young men “haunted each others’ houses” during the summer of 1875 and at times considered their conversation with the girls made them “raging social lions.” John Bellamy Jr. also idolized Tom’s father, the Rev. Wilson, but neither he, his sisters, nor his mother had much time for Mrs. Wilson. One time when both the Wilsons and the Bellamys were on a Cape Fear River steamer excursion, Mrs. Bellamy graciously offered to share some of her cake, since everyone on board the boat, except the Wilsons, was enjoying a picnic lunch. Mrs. Wilson almost recoiled in horror and said to Mrs. Bellamy, “I couldn’t eat it for anything — not here on deck!” Mrs. Bellamy took Mrs. Wilson’s response as a personal criticism of her manners and was deeply offended.
In the fall of 1875, Tom Wilson went to Princeton. When he returned to Wilmington during breaks he seemed to have developed a somewhat condescending attitude to the local boys who weren’t a part of the Ivy League picture. He began spending more time with local Princeton graduates and his private shorthand notebook contained disparaging comments about former friends including Alex Sprunt, Jr. and John Bellamy, Jr. He also had changed his tastes while he was in the North and returned to Wilmington as a person who no longer enjoyed Sir Walter Scott’s fiction but preferred Thomas Macaulay’s history. Although he had once been devoted to the Confederacy and its heroes, he now convinced his father not to speak at the Ladies’ Memorial Association Confederate Memorial Day program at Oakdale Cemetery because he had decided secession was wrong. All of these changes in attitudes probably cut into the bonds of what had once been a significant friendship. Although Wilson still dropped by to see John Jr., he seemed resentful that Bellamy had become a practicing lawyer while Wilson was still in college. Or perhaps Bellamy felt that he had outgrown the highly opinionated Princeton student. We can't know the factors that went into winding down the friendship, but it is interesting to note that when Wilson went off to law school, it was to Bellamy’s alma mater, the University of Virginia.
Wilson’s biographers consulted with the Bellamy family to piece together the life of the President when he was an adolescent in Wilmington. There is little doubt that in the formative summer of 1875, the future president spent a significant amount of time within the bosom of the Bellamy family at the Bellamy Mansion.
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In the spring of 1775, representatives from the 13 American colonies gathered at the first Continental Congress in Philadelphia. After much debate about severing ties with Britain, the representatives approved the Declaration of Independence, which was to take effect one year later on July 4, 1776. Massachusetts Representative John Adams, in a letter to his wife Abigail, wrote that the day “ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.” Slavery, however, remained the law of the land despite the Declaration's pronouncement that all men are created equal. George Washington continued to enslave people, as did Thomas Jefferson and as would ten other presidents. John Adams was the exception, with no enslaved workers in his household. His wife, Abigail, was even more anti-slavery than he. In 1774, she wrote to her husband: “It always appeared a most iniquitous scheme to me—to fight for ourselves what we are daily robbing and plundering from those who have as good a right to freedom as we have.” As the new nation grew over the next several decades, so did the institution of slavery. David Walker, a free Black native of Wilmington, urged white Americans to recognize the continued hypocrisy of the Declaration's pronouncements on freedom and equality. He exclaimed in his 1828 antislavery pamphlet, "Walker's Appeal".
As the Northern anti-slavery movement gained momentum in the 1830s, many of its supporters questioned traditional Independence Day celebrations. Leading abolitionists organized events on the Fourth of July, or the Fifth, to reflect and remind people that, for African Americans, the Revolution’s promise of liberty had not been fulfilled. Black communities in the North also began celebrating other dates of significance to the abolitionist cause, such as August 1, 1834, when Great Britain abolished slavery in the British West Indies.
At the invitation of the Rochester Ladies Anti-Slavery Society, he spoke before a crowd of some 600 people at Corinthian Hall in Rochester, NY. In his fiery remarks, he questions the crowd as to why they have asked him, a Black man, to speak on this occasion celebrating freedom in a country where his people are not free, his oration demands acknowledgement of slavery, “the great sin and shame of America.”
As civil war loomed, with the issue of slavery at the forefront of the conflict, attitudes toward Fourth of July celebrations began to shift. Many white southerners, slaveholders and secessionists especially, felt that they were once again living under tyranny and stopped celebrating the holiday. Entries from the diary of Rufus Bunnell, Bellamy House assistant architect, reflect the holiday mood in Wilmington just prior to the war: 1859 - Monday, July 4th: Came after a very hot time followed by a very heavy N.E. thunder storm. As the stores were all closed, the city seemed partly deserted. There was occasionally the firing of a gun heard and a few firecrackers were let off; it was hardly noticed. The United States as a Nation of all the states, is far from being so in reality in the Southern States.
And a year later... 1860 - Wednesday, July 4th: Oppressive weather, but a light breeze at times somewhat tempered the great heat. Was awakened early on the morning of the Fourth by the booming of cannon and the shouting of the Negro boys in the streets. The National feeling for the “glorious Fourth” was growing cold at the South with so much of slavery agitation and the slowly increasing spirit of Disunion. (Looking back, Bunnell recalled: Little did we know that this was to be the last Fourth of July celebrated by the entire Union of States, for four long and bloody years of Civil War!)
He set about building a mile-long coastal defense with 30-foot sandhill traverses, a 9-foot fence, buried munition chambers, almost 50 major artillery pieces covering land and sea, and as many as 2000 defenders by 1865. As the largest Confederate fort built, it would become known as the 'Gibraltar of the South'. To do this, Lamb used Confederate troops, coopted native Americans, and as many as 500 enslaved workers from the many nearby plantations.
The Confederacy used enslaved workers to build a defense intended to maintain slavery in the South - and the most concerted efforts began on a 4th of July under Lamb's stewardship. It was not until the end of the war that the Black population, particularly the enslaved, would be afforded the unalienable rights outlined in the Declaration of Independence. Emancipation and Reconstruction enabled Black communities to publicly celebrate their liberty, which they commemorated on both the Fourth of July and Emancipation Day. In most southern cities, they almost exclusively organized Independence Day celebrations while white citizens generally observed the holiday bitterly and without joy.
The black community would work alongside whites as elected officials, business owners, civil servants, and civic leaders until the 1898 Wilmington Coup and Massacre restored power to white Southern Democrats. North Carolina quickly disenfranchised Blacks, joining the rest of the former Confederate states which had done so after the end of federal Reconstruction twenty years earlier. It would take over sixty years and the struggle for Civil Rights for freedom and equality for all to come into focus once again.
Jefferson, deeply inspired by classical antiquity, helped popularize Greco-Roman design principles in the young United States, believing classical architecture symbolized civic virtue, republicanism, and intellectual enlightenment. Architect Benjamin Henry Latrobe further advanced the movement through his influential public commissions, helping establish Greek Revival as the foundation for the monumental classicism associated with early American government buildings. Examples of this influence can be seen in the neoclassical elements of the United States Capitol and the Second Bank of the United States. In the United States, Greek Revival architecture flourished between roughly 1820 and 1860 and became especially popular in the antebellum South, where plantation owners and wealthy urban merchants embraced the style as a symbol of old world permanence, historical culture, and prosperity. The Bellamy site was built from 1859-61.
At the Bellamy Mansion Museum, Italianate influences appear throughout all three buildings on the property. The low roof pitches, tan-pink stucco and limewash finishes, arched windows, projecting eaves with ornate corbels, and deeply exaggerated cornices all reflect the style’s Mediterranean inspiration. Most distinctive is the belvedere crowning the main house — a rooftop architectural feature whose Italian name literally means “beautiful view.” Beyond serving as a visual focal point, the belvedere also provided ventilation and views of downtown Wilmington, blending practical function with romantic ideals of Italianate design.
The combination of Greek Revival and Italianate architecture at the Bellamy site illustrates a transitional moment in nineteenth-century American design. The use of Greek Revival could convey stability, democratic value, and classical grandeur, while Italianate introduced a more romantic and picturesque sensibility. Together, these styles communicated the Bellamy family’s wealth, education, and awareness of international architectural trends. Yet the mansion’s architecture also reveals the contradictions of the antebellum South: ideals of beauty, democracy, and civilization were materially supported by mass enslavement and embedded within a social order rooted in racial inequality and white supremacy. Of course we’ve all heard those words before, perhaps countless times from the back seats and typically as we head out for summer vacation. It’s a phrase that’s been around for as long as there have been children and cars. But let’s imagine what summer vacations were like for the Bellamy children long before paved roads, let alone cars, even existed. Grovely and points north and south “By the time Ellen and John D. Bellamy, Jr. were old enough to appreciate Grovely’s bounty, their family had formulated a set lifestyle geared to the season,” according to local historian Diane Cobb Cashman. “May and June found them at Grovely [a plantation in Brunswick County purchased by their father in 1842]. Then, as the oppressive heat that spawned ‘the sickly season’ [Yellow Fever], as well as the horrible stench that came from neighboring plantations’ flooded rice fields, came upon them, they moved to higher ground at Salem, Red Springs, and Laurinburg or caught the salt breeze at Smithville [Southport] or the Sound for the duration of the summer.” Pittsboro in Chatham County was also “a favorite summer residence for many of Wilmington’s old families.” Circa 1860 map showing towns like Salem and Pittsboro at top left where Wilmington families sought cooler temperatures; Lake Waccamaw just south of Whitesville and Smithville on the coast were also popular summer spots, and of course the Sound areas along the coast were most desirable for their balmy breezes and white sands.
Meanwhile, back in Wilmington... When in Wilmington, John Bellamy Jr. recalled that as a boy, "my companions and I would go down [to the riverfront] ...where vessels loaded with naval stores would sail to New England, and they would return with shiploads of ice, in large blocks! These were unloaded on elevated platforms and run into ice-houses especially made for that purpose; the boys would eagerly pick up the broken lumps of ice and use it—greatly relished in hot weather!" Bellamy's assistant architect Rufus Bunnell helps us envision summertime in antebellum Wilmington in several of his diary entries: “Everything droops,” he wrote. “Up climbs the mercury, the heat mastering the old town.” On a sultry summer day in 1859, Bunnell noted that the stores were all closed and the city seemed partly deserted. Taking a walk after breakfast with some friends, “we saw an excursion steamer well loaded down, cross the Cape Fear River and land its passengers for a train of waiting cars in the great wooded and marshy district over there, bound for Lake Waccamaw.” Vacationers could access the beautiful waters of this large, shallow freshwater lake in northeastern Columbus County near Whiteville by railroad, as well as by steamboat.
Summers by the seaside Returning to Bunnell’s diary entries, he observed that many Wilmingtonians summered at the Sound “out on the Atlantic coast.” From the early part of the 19th century, well-to-do North Carolinians came to the ocean to escape the summer heat, breathe the salt air, and bathe in the ocean. It was widely believed that the supposedly healthy beach environment protected residents and visitors from the ravages of such diseases as malaria. The Sounds, including Greenville, Masonboro and Wrightsville, were popular summer colonies for Wilmington residents, according to Historic Architecture of New Hanover County, North Carolina. “Originally intended to be used for rice culture and the manufacture of salt in the 18th and early 19th century, these plantations along the marshes had, by the mid-19th century, become retreats away from Wilmington. "The area near Wrightsville, above the north bank of Bradley’s Creek, was especially desirable. It was away from the swarms of mosquitoes that populated the adjacent regions, and the views across the Hammocks (later renamed Harbor island) and Banks Channel to Wrightsville Beach were as dramatic then as today.” In 1886, Bradley’s Creek was the perfect setting for a new home belonging to Sarah Green and Pembroke Jones to be named Airlie in honor of Pembroke’s family home in Scotland; Sarah dubbed it Airlie-on-the-Sound. Meanwhile, just a few miles south in Masonboro, lumber magnate and one of Wilmington’s richest citizens Oscar Parsley purchased a home known as Finian in 1852 (later destroyed by fire in 1931). We know O.G. Parsley as a friend of John D. Bellamy, who encouraged the doctor and his family to join him in Floral College with other families taking refuge from the war. Ellen wrote that “the Parsleys and our family lived most pleasantly together, my two older sisters being devoted friends of the Parsley girls." Masonboro was also the summer retreat of William White Harriss, Wilmington physician, businessman, and civic leader, as well as his son George. William was Eliza Bellamy’s brother and George her nephew.
By the end of the 1880s, Wilmington and the coastal communities of Wrightsville and Wrightsville Beach had been linked by rail, affording residents of the City access to the ocean and a style of life rare in other areas of the nation. With the construction of Lumina pavilion by Tidewater Power Company president Hugh MacRae in 1905, a day at the beach ended with music and dancing every night on the huge dance floor overlooked by a spectator balcony, and movies once a week. “Out of the darkness, the lights at Lumina were dazzling,” recalled Lillian Bellamy Boney, a great granddaughter of Dr. Bellamy, in a 2009 Wrightsville Beach Magazine article. In its heyday, Lumina pavilion was a hot spot for big bands like Paul Whiteman, Cab Calloway, and Jimmy Dorsey [sadly, it was demolished in 1973]. By the first decades of the 20th century, the automobile had become widespread, and bridges spanned the waterways along the major routes across Hanover County. Ellen Bellamy certainly witnessed much progress in her lifetime (1852-1946), from travel by horse and carriage, ferries, steamboats, trains and trolleys to cars, buses and airplanes. She said it herself as she wrote later in life: “It is such a pleasure to have [my brother John] during the summer to take his mid-day meal while his family are summering on Wrightsville Beach only a short distance away in these days of fast travel.” A Different Kind of Summer Even after the era of enslavement ended, beach vacations were not necessarily common among Blacks in the south. In fact, Jim Crow laws barred Blacks from visiting the beaches frequented by Whites. That is until 1922 when two African Americans - Rowland and Nathan Freeman - developed a resort called Seabreeze (also known as Sea Breeze or Freeman’s Beach) on the east side of U.S. 421 just north of Snow’s Cut and Carolina Beach.
Also in the early 1930s, the town of Atlantic Beach - known to some as the ‘Black Pearl' - was formed as a vacation getaway for black families. This small coastal area in South Carolina grew to become a popular vacation destination, and black-owned businesses thrived in this close-knit community nestled in the heart of North Myrtle Beach. Many Atlantic Beach residents are descendants of the Gullah-Geechee people, former slaves from the West Coast of Africa who lived and worked in the coastal area from around Jacksonville, Florida to as far north as Wilmington. You can read much more on Gullah-Geechee heritage here.
There is genius in simplicity and the cistern system is simply genius. In Wilmington, before city water was supplied, the water that fell off your roof mainly fed the wells of your neighbors - and hand dug wells were not very deep, comparatively speaking. The well at Bellamy, for example, was probably no more than 40-50 feet deep, just enough to tap the water table. The water at this depth is not completely free of contaminants and may have even stained pots and pans - especially porcelain. Therefore, clean rainwater would be a great secondary source of drinking and bathing water, as well as irrigation for the plants and hydration for animals on the property. Sustainability as a 19th-Century Necessity The Bellamy site is half an acre (or roughly 22,000 square feet), and the house has a footprint of 3,000 square feet under the roof. On a roof of this size, with only 1” of rainfall, the amount of water that runs off amounts to 3,000 gallons. That’s 3,000 gallons of clean, fresh water for cooking, washing, drinking, bathing etc. The idea of a shower every morning is something that wasn’t common practice until after World War II, and even wealthy families like the Bellamys probably only bathed once a week. Nevertheless, when the Bellamy house was in full swing, water usage would be high, and harvesting rainwater was essential. To catch and store it, there was the 6,000 gallon, brick-lined, underground cistern. The Bellamy cistern stored water that flowed from the roof of the house by a system of channels and downspouts on both sides of the house. Catch basins at ground level helped to filter out debris, and the water then traveled through underground drains directly into the cistern. A tightly fitted cover over the top kept out animals, bugs, surface water, and other contaminants. In her memoirs, Ellen Bellamy identifies “Guy, our butler” as the enslaved worker who pumped the water from the cistern into the large zinc-lined oak tank on the top floor, where the children spent much of their time. A gravity-fed pipe system carried the cold water down into the original bathroom on the floor below for use in bathing. According to architectural historian, Catherine Bishir, to provide hot water, pipes led from the tank to the kitchen boiler in the basement and back up to the bathroom. The flow of water was controlled so that water descending into the boiler forced the heated water to run up to the bathroom as needed. We do not know if the Bellamy cistern had a charcoal filter on it, but some homes in Wilmington did. For the next 50 years, the site operated solely on the well and cistern. The first attempt at a centralized water source in Wilmington was in 1881, at what was called the Clarendon Water Works, but it was intended for firefighting rather than drinking water. It wasn't until 1910-11 that the Bellamy House got city water, when the Hilton Pumping Station was put into operation at the site of the pre-revolutionary Hilton House built by Cornelius Harnett. Currently that site is the Sweeney Water Plant, Wilmington's main pumping station to this day.
"We had to install a suction line and put in a permanent well pump. We then connected all the irrigation lines to another pump outside the cistern located near the North rear scullery window next to the downspout. This allowed water to be pumped out of the cistern and then pumped again to the individual sprinkler stations." In addition to saving money on monthly water bills and reusing rainwater for everyday use, cisterns also help decrease flooding and protect our waterways by reducing polluted stormwater runoff. Although the introduction of city-wide plumbing led to decline of these ingenious systems, the city of Wilmington now encourages their use again due to these broader environmental benefits. They offer free resources about using rain barrels and cisterns as stormwater solutions. There is also a city-led “Heal Our Waterways” that provides funding to private property owners for installation of larger cisterns that would benefit Bradley Creek and Hewletts Creek. You can read more about the program at https://www.wilmingtonnc.gov/Services/Stormwater/Heal-Our-Waterways. This article was adapted, in part, from earlier work by former Director of Education at the Bellamy Mansion Museum, Madeline Flagler. During her time at the museum, Madeline developed and led "green tours" for adults and school groups using much of this information.
The Taylor Family Tree Henry and his wife Emily lived at 112 North 8th Street in a home that Henry built for the family, including their four children—John Edward, Anna Maria (Shober), Sarah Louise (Whiteman), and Robert Robinson— all of whom distinguished themselves.
John Edward Taylor remained in Wilmington and became a prosperous businessman and the first black man appointed Deputy Collector of Customs in the city, a position he held for 25 years. Anna Maria attended Howard University, as did her future husband, Dr. James Francis Shober, the first black physician with an M. D. degree to practice in North Carolina; a native of Winston-Salem, he spent his career in Wilmington. Sarah Louise Taylor likewise attended Howard University and married John Henry Whiteman, a prominent Wilmington businessman.
Robert Robinson Taylor's son, Robert Rochon Taylor, became an important corporate and civic figure in Chicago, for whom the large Chicago public housing complex, Robert Taylor Homes (completed in 1962), was named. Among Henry Taylor's descendants through this branch of the family is his great-great granddaughter, Barbara Taylor Bowman (1928-2024), early childhood education pioneer and consultant to the U.S. Secretary of Education during former President Barack Obama's first term. Bowman's daughter, Valerie Jarrett, a civic and political leader in Chicago, also worked under President Obama as a White House Senior Advisor from 2009-2017. Further Reading:
https://www.blackhistory.mit.edu/story/robert-r-taylor https://www.politico.com/story/2013/12/valerie-jarrett-women-rule-100673 https://nieer.org/pioneer-barbara-bowman https://www.dncr.nc.gov/blog/2016/06/08/wilmingtons-robert-r-taylor-pioneer-black-architect https://www.huduser.gov/portal/casestudies/study_0724012_1.html https://about.usps.com/news/national-releases/2015/pr15_012.htm Imagine maintaining a home with 112 windows! The majority of those at the Bellamy site are double-hung windows with separate upper and lower sashes raised and lowered by heavy weights inside the window casings on each side. And, they were installed 165 years ago! Over time, wear and tear has caused the sash cords on some of the windows to snap. The job of fixing the windows is no easy task. Last year, six windows were targeted for restoration. In the photos shown here, Bellamy Museum volunteer handymen Angelo Cimini and Steve Long carefully removed the exterior window trim in order to take out the original windows. Once the windows were removed, they opened the access panel deliberately built into the window frame that houses the window weights. This system allows the windows to open smoothly and easily by counterbalancing the weight of the sash via a rope over a pulley. When the window goes up, the weight goes down. The weights for these particular windows were made of cast iron, measuring approximately two feet in length and weighing between 15 and 20 pounds each. Window Weight System In the Bellamy house windows, there is space for two weights on each side of the window. One weight was used to lift the lower sash, and the other allowed the upper sash to be lowered. While none of the windows currently allow the top sash to move, evidence shows that when the windows were new, both sashes were operable.
Since the 1970s the National Park Service has published its Preservation Briefs. These form a how-to library for fixing the many and varied elements of America's historic buildings. The schematic above is taken from the brief on wood windows, which you can read through this link:
https://www.nps.gov/orgs/1739/upload/preservation-brief-09-wood-windows.pdf The word ambrotype comes from the Greek ambrotos, meaning “immortal,” and typos, meaning “impression.” The name is fitting. These fragile photographs—made on glass and easily broken—were intended to preserve a likeness forever. In their quiet, ghostly beauty, ambrotypes represent a pivotal moment in the history of photography and in how people chose to remember themselves and their loved ones.
Popularity and Historical Context The ambrotype was introduced around 1854, when James Ambrose Cutting patented a version of the process in the United States. It quickly gained popularity and remained widely used throughout the 1850s and 1860s. During this period, ambrotypes filled the gap between the earlier daguerreotype and later photographic formats such as tintypes and paper prints. By the 1870s, ambrotypes fell out of favor. Newer photographic methods were cheaper, faster, and more durable, making them more convenient for both photographers and consumers. Despite their relatively brief period of popularity, ambrotypes played a crucial role in expanding photography beyond elite circles. Who Owned Ambrotypes? By the mid-nineteenth century, photography was no longer reserved solely for the wealthy elite. Ambrotypes were less expensive than daguerreotypes, making them accessible to working- and middle-class families. For many people, an ambrotype was the only photograph they would ever own. Farmers, laborers, and their families often commissioned a single portrait to document themselves or their household. Soldiers departing for the American Civil War frequently had ambrotypes taken to leave behind with loved ones, while sweethearts and engaged couples exchanged them as tokens of affection. Children’s portraits were also common, commissioned by parents who wanted to preserve an image of a child at a particular stage in life. Wealthier individuals also embraced ambrotypes, particularly in the 1850s when the format was considered modern and fashionable. For them, ambrotypes served as both status symbols and tools of legacy, preserving family lineage in a tangible form. Ambrotypes and the Bellamy Family Given the prominence and social standing of the Bellamy family, their ownership of ambrotypes is unsurprising. For wealthy families in the mid-nineteenth century, ambrotypes were both fashionable and meaningful. They preserved likenesses at a time when photography was still novel, capturing individuals at specific moments in their lives and allowing those images to be passed down through generations. These photographs freeze time, offering modern viewers a direct visual connection to the past. They serve not only as family heirlooms but also as historical documents, reflecting how people wished to be seen and remembered. An ambrotype of Frederick Douglass from the Civil War period. Held in the Smithsonian collection. Enslaved People and Ambrotypes Enslaved individuals were photographed during the ambrotype era, but they rarely owned these images. Most ambrotypes depicting enslaved people were commissioned by enslavers, often to document what they considered property or to portray enslaved individuals in carefully staged, sentimentalized roles. Some ambrotypes were created for abolitionist purposes, intended to humanize enslaved people and support anti-slavery efforts, particularly in the North. After emancipation, formerly enslaved people increasingly sought portraits of themselves and their families. These images served as powerful assertions of dignity, identity, and belonging in a society that had long denied them those rights. Before the Civil War, enslaved individuals generally lacked the money and legal standing to commission their own photographs. Even when portraits existed, ownership usually rested with the person who paid the photographer. Rare exceptions may have occurred in urban areas, but they were not typical.
This illustrates how ambrotypes could transcend their original context, becoming symbols of memory and enduring familial bonds. How Ambrotypes Were Made Creating an ambrotype required skill, speed, and precision. The process began with thoroughly cleaning a glass plate, as even the smallest speck of dust would appear in the final image. The photographer then coated the glass with collodion, a syrupy mixture of cellulose nitrate dissolved in ether and alcohol, combined with iodide salts. While the plate was still wet, it was immersed in a silver nitrate bath, making it sensitive to light. This step had to be completed immediately before exposure, which is why the method is known as the “wet plate” process. The plate was then placed into a camera and exposed while still wet. Exposure times ranged from a few seconds to several minutes, depending on lighting conditions. After exposure, the image was developed using chemicals such as iron sulfate or pyrogallic acid, revealing the photograph. A fixing solution—often potassium cyanide or sodium thiosulfate—was applied to make the image permanent. Once washed and dried, the glass plate was backed with a dark material so the negative image would appear positive.
Prices were influenced by the size of the glass plate, the quality of the case, whether the image was hand-colored, and the reputation or location of the photographer. Urban studios and well-known photographers often charged more, while traveling or rural photographers offered lower prices to attract customers. The information in this article was adapted from an interpretive plan prepared in the spring of 2025 by UNCW graduate student Melissa Howdershelt for her practica in Public History. The plan included a concept for constructing an exhibition using ambrotypes from the Bellamy Mansion Museum's collection, with the goal to educate its viewers.
Elvin Artis (1820-1886), a free black house carpenter, served as the carpentry foreman on the Bellamy Mansion project circa 1859-1861. James Post’s assistant architect, Rufus Bunnell, wrote in his diary about Artis, saying: “...strange to ever keep in mind, that almost to a man these mechanics (however seemingly intelligent), were nothing but slaves and capable as they might be, all the earnings that came from their work, was regularly paid over to their masters or mistresses. A very few, as for instance, the mulatto 'Artis' on the Bellamy house construction, were freedmen made thus by will or purchased freedom; but even those were restricted by special laws made for freed negroes and were also subject if deemed necessary, to observation by the day and night patrol.” Elvin Artis’s family traced their free status to the colonial period, and some of his ancestors served in the Revolutionary War. Elvin married Liza “Lizzie” (Green) around 1840, and between 1842 and 1858 the couple welcomed eight children, including three daughters -- Elizabeth, Jane (“Janie”), and Josephine. Two sons -- Hildred and Eldred -- were twins, and their other three sons were Champion, Sylvester, and John. Elvin Artis was not a stranger to John D. Bellamy when he began work on Bellamy’s townhome in 1859. In fact, Artis bought property from John D. Bellamy in 1845 near Love Grove and Smith Creek -- north of Oakdale Cemetery. In 1859, Elvin bought property on lot 282 from John D. Love, at the corner of 7th and Brunswick Streets, and his family resided in a home there for over fifty years. Today, the lot where the Artis home stood is empty. Elvin’s first wife, Liza, died sometime in the 1860s, and he married Caroline “Carrie” (Mitchell), a woman at least 15 years his junior, in March 1867. The city contracted Elvin for various projects throughout the 19th-century: Elvin also ran a prominent Wilmington barber shop and hair salon off and on during the 1860s, '70s, and '80s. He advertised barbering and tonsorial services for both men and women, and he ran his business during the early 1870s from the Purcell House Hotel on Front between Market and Princess. The Purcell House Hotel was advertised as Wilmington’s only first-class hotel at the time. While Elvin Artis never entered politics, it was not from lack of trying by his contemporaries. In 1882 he declined being nominated representative for the Greenback party’s county convention as he had, “no aspiration to attain political honors.” All of Elvin and Elizabeth’s sons married between 1862 and 1871. Two of Elvin’s sons, Eldred and John, became barbers and worked with their father, and John was also listed as a carpenter on the 1870 and 1880 censuses. Champion was a local carpenter and fireman. Hildred moved to Boston, Massachusetts, where he, too, was a barber. Two daughters -- Elizabeth and Jane -- married between 1868 and 1877. Josephine does not seem to have ever married.
Belle attended the South Carolina Female Collegiate Institute, commonly known as Barhamville Academy, located on the outskirts of Columbia. Beyond learning social graces and upper-class cultural rites, students at Barhamville had a set curriculum for each year with courses ranging from algebra, ancient history, botany and chemistry to art, music, literature and language. They were taught by highly regarded faculty attracting the elite of the South. Its graduates included the Hon. John C. Calhoun's daughter Anna Maria and the future mother of President Theodore Roosevelt, Martha Bulloch. Ellen noted "as my father was contemplating this house [on Market Street] she made a drawing of it and assisted Mr. Rufus Bunnell, the architect, in modeling this after that manner." Belle's brother John also noted in his memoirs that her "plan of the building was turned over by my father to James F. Post, contractor and builder." The final design of the Bellamy Mansion, aside from being stylistically similar, is in no way an exact duplicate of the Clarkson home, which fell victim to Union General William Tecumseh Sherman's fiery Civil War march through the South. Belle also had some input into the interior decor of the new house. In 1860, nearing her 20th birthday, she accompanied her parents and infant brother Chesley on their trip to New York City to look at samples of building materials and select furnishings for their soon-to-be completed 22-room mansion on Market Street. Her sense of style may well have figured into the selection of their fashionable new furniture and fabrics.
Beautiful Belle, the only Bellamy daughter to marry, died in January 1900 at age 59 after a protracted illness. Her obituary in The Wilmington Messenger noted that she had been very sick at home in Columbia and decided to come to Wilmington to her mother's home "for the special purpose of placing herself under the treatment of her brother, Dr. W.H. Bellamy." Belle died in the Bellamy house where her funeral was held thereafter, and she was buried at Oakdale Cemetery in Wilmington. In 1908, the Duffie family disinterred Belle's remains from the Bellamy plot and took them to South Carolina, where she was laid to rest beside her husband who passed away in 1901. Belle's Paintings |
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